Artworks

  • Matthias Bitzer, Acquaria, 2026
    Matthias Bitzer, Acquaria, 2026
  • Matthias Bitzer, All Ears to the Univears, 2026
    Matthias Bitzer, All Ears to the Univears, 2026
  • Matthias Bitzer, An Atom Drip from Your Lip, 2026
    Matthias Bitzer, An Atom Drip from Your Lip, 2026
  • Matthias Bitzer, I write my poem, when I am in my right mind, 2026
    Matthias Bitzer, I write my poem, when I am in my right mind, 2026
  • Matthias Bitzer, Lachesis, 2026
    Matthias Bitzer, Lachesis, 2026
  • Matthias Bitzer, Mise en abyme, 2026
    Matthias Bitzer, Mise en abyme, 2026
  • Matthias Bitzer, Molly, 2026
    Matthias Bitzer, Molly, 2026
  • Hannes Heinrich, n.t. (corner 1), 2026
    Hannes Heinrich, n.t. (corner 1), 2026
  • Hannes Heinrich, n.t. (corner 2), 2026
    Hannes Heinrich, n.t. (corner 2), 2026
  • Hannes Heinrich, n.t. (corner 3), 2026
    Hannes Heinrich, n.t. (corner 3), 2026
  • Harm van den Dorpel, o.T., 2026
    Harm van den Dorpel, o.T., 2026
  • Phoebe Derlee, Phoebe on a Pink Day, 2026
    Phoebe Derlee, Phoebe on a Pink Day, 2026
  • Phoebe Derlee, Phoebe Resting on Green Black, 2026
    Phoebe Derlee, Phoebe Resting on Green Black, 2026
  • Matthias Bitzer, Soft Pilgrim, 2026
    Matthias Bitzer, Soft Pilgrim, 2026
  • Melanie Siegel, Gehäuse, 2025
    Melanie Siegel, Gehäuse, 2025
  • Hannes Heinrich, n.t. (mark), 2025
    Hannes Heinrich, n.t. (mark), 2025
  • Hannes Heinrich, n.T. (sequence willow), 2025
    Hannes Heinrich, n.T. (sequence willow), 2025
  • Phoebe Derlee, Phoebe and her milk, 2025
    Phoebe Derlee, Phoebe and her milk, 2025
  • Melanie Siegel, Pool Landscape I, 2025
    Melanie Siegel, Pool Landscape I, 2025
  • Melanie Siegel, Pool Landscape II, 2025
    Melanie Siegel, Pool Landscape II, 2025
  • Melanie Siegel, Small Tenniscourt, 2025
    Melanie Siegel, Small Tenniscourt, 2025
  • Harm van den Dorpel, Cuneiform, 2024
    Harm van den Dorpel, Cuneiform, 2024
  • Harm van den Dorpel, Scene, 2024
    Harm van den Dorpel, Scene, 2024
  • Vera Molnár, 9 quasi-carrés (réf. 85A), 1985
    Vera Molnár, 9 quasi-carrés (réf. 85A), 1985
  • Vera Molnár, 9 quasi-carrés (réf. 85B), 1985
    Vera Molnár, 9 quasi-carrés (réf. 85B), 1985
  • Vera Molnár, Interstices oranges, 1985
    Vera Molnár, Interstices oranges, 1985
  • Vera Molnár, Segments et leurs croisements (75.039-11.16.26), 1975
    Vera Molnár, Segments et leurs croisements (75.039-11.16.26), 1975
  • Vera Molnár, Segments et leurs croisements (75.039-11.16.34), 1975
    Vera Molnár, Segments et leurs croisements (75.039-11.16.34), 1975
  • Vera Molnár, Segments et leurs croisements (73.146.11.34.56), 1973
    Vera Molnár, Segments et leurs croisements (73.146.11.34.56), 1973
  • Vera Molnár, Segments et leurs croisements (73.146.11.41.17), 1973
    Vera Molnár, Segments et leurs croisements (73.146.11.41.17), 1973
  • Ilit Azoulay, No Thing Dies Vitrine 12 and 13
    Ilit Azoulay, No Thing Dies Vitrine 12 and 13
  • Ilit Azoulay, Record 009: Which version reached you first?
    Ilit Azoulay, Record 009: Which version reached you first?
  • Ilit Azoulay, Report 006: It happened like that. And still, other angles remain.
    Ilit Azoulay, Report 006: It happened like that. And still, other angles remain.
  • Ilit Azoulay, Report 007: This is where I began to notice.
    Ilit Azoulay, Report 007: This is where I began to notice.